“artistic work” means,—
(i) a painting, a sculpture, a drawing (including a diagram, map, chart or plan), an engraving or a photograph, whether or not any such work possesses artistic quality;
(ii) a work of architecture; and
(iii) any other work of artistic craftsmanship;
@Sec. 2(c), The Copyright Act, 1957 (India)
The human mind, by its nature, successively employs in each one of its researches three methods of philosophising, of which the character is essentially different and even radically opposed: at first the theological method, then the metaphysical method, and finally the positive method.
Auguste Comte
Cours de philosophie positive
1830 – 1842
intent
In an era dominated by electronic media and the immediacy of information, the narratives we constantly internalise and accept as the truth, are no longer organic, but carefully curated products of, often unseen, codes and algorithms. A set of algorithms wield the power to construct a reality that is objective, personalised, and inevitable, virtually shaping how and what we choose to think. Codes are no longer just a tool to build applications of convenience, but to actively construct a “regime of truth”, subjecting individuals to constantly perform, manage impressions, and seek validation. In these times, how does one choose to be, or not to be?
The modern dilemma, to be or not to be, is not just who or what, but how does one navigate a perpetual state of becoming, where the sense of being is a fragile, fragmented, and ever-deferring project. Through a collage of mixed media (in digital format), reyyi seeks to challenge the illusion of a fixed and authentic identity, proposing instead that identity is a fragile construct built by a language that is constantly shaping our sense of reality and a sense of being, within a fluid system of signs and power.
Through the deliberate subversion of dominant narratives, reyyi invites the viewer to question their own complicity in the construction of their identity, and to recognise the inherent instability that lies beneath the surface of a seemingly unified sense of being.
idea
Oxford English Dictionary, II ed. (1989)
idea (aɪˈdɪ:ə). [a. late L. idea (in Platonic sense), a. Gr. ἰδέα look, semblance, form, configuration, species, kind, class, sort, nature, (in Platonic philosophy) a general or ideal form, model, f. root ἰδ-, ἰδέἰv, to see: the word being thus analogous in derivation and original sense to L. species from spec-ere to see, behold.] I. General or ideal form as distinguished from its realisation in individuals; archetype, pattern, plan, standard. 1. In Platonic philosophy: supposed eternally existing pattern or archetype of any class of things, of which the individual things in that class are imperfect copies, and from which they derive their existence. 2. a. The concept of anything in its highest perfection or supreme development; a standard of perfection; an ideal. b. A person or thing regarded as perfect in its kind; the ideal realised in an individual. 3. The conception of a standard or principle to be realised or aimed at; a conception of what is desirable or ought to be; a governing conception or principle; the plan or design according to which something is created or constructed. 4. In weakened sense: A conception or notion of something to be done or carried out; an intention, plan of action. 5. A pattern, type; the original of which something else is a copy; a preliminary sketch or draft; something in an undeveloped state. II. Figure, form, image. 6. a. A figure, representation, likeness, image, symbol, ‘picture’ (of something). b. Form, figure (as a quality or attribute); configuration, shape; aspect; nature or character. c. A 'figure' of speech or rhetoric; a form or way of speaking. III. Mental image, conception, notion. 7. An image existing or formed in the mind. a. The mental image or picture of something previously seen or known, and recalled by the memory. b. More generally: A picture or notion of anything conceived by the mind; a conception. c. A conception which reality corresponds; something merely imagined or fancied. d. in idea (= F. en idée), in conception or imagination; in mind, in thought: opposed to in reality. 8. a. More widely: Any product of mental apprehension or activity, existing in the mind as an object of knowledge or thought; an item of knowledge or belief; a thought, conception, notion; a way of thinking. b. A notion or thought more or less imperfect, indefinite, or fanciful; a vague belief, opinion, or estimate; a supposition, impression, fancy. c. Colloq. phr. to get (or have) ideas (into one's head): to conceive notions of a particular kind, usu. undesirable or harmful; spec. to entertain a notion of being rebellious, violent, etc. d. Used after a possessive to denote a person's conception of an ideal, typical, adequate example of the person or thing specified. e. An idea worthy of consideration or capable of realisation; a possibility. IV Modern philosophical development. [from 7 and 8] 9. With Descartes and Locke: Whatever is in the mind and directly present to cognitive consciousness; that which one thinks, feels, or fancies; the immediate object of thought or mental perception. 10. a. In the Kantian and transcendental schools: A conception of reason that transcends all experience; one of the noumena or ultimate principles apprehended by reason, as opposed to the conceptions of the understanding, which experience. b. In Hegelianism: The absolute truth of which all phenomenal existence is the expression; the Idea, the Absolute.
ARTH
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what is meant by a word, text, concept, or action.
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intend to convey or refer to (a particular thing); signify.
E.g. ideas are the effect of meanings we inherit and re-produce.
अर्थ

n. / v. (Sanskrit), meaning
1
2
conveying meaning through an alternate logic of signification, using the exact same words, within the structure of a language, and the entire network that defines the process of signification.
the Practice
assets in the form of money or any other form of assets owned by a person or organisation.
n. (Sanskrit), wealth
victoria's secret and the idea of idea.
Definitions from Oxford Languages (2025)
OF A
TIME
AND
SPACE
“work” means any of the following works, namely:—
(i) a literary, dramatic, musical or artistic work;
(ii) a cinematograph film;
(iii) a sound recording;
@Sec. 2(y), The Copyright Act, 1957 (India)

noun.
1. a thought or suggestion as to a possible course of action.
re://constructivism >a functional and universally accessible aesthetic practice.
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mental impression (similar - concept; notion)
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an opinion or belief (similar - thought; theory)
2. the aim or purpose.
to produce works that can be viewed anywhere, anytime, on any screen.
late Middle English (in a philosophical sense): via Latin from Greek idea ‘form, pattern’, from the base of idein ‘to see’.